An alternative approach would have been to rely solely on company-wide career frameworks. However, these frameworks rarely capture the nuances of design practice and often remain too high-level. The skill matrix therefore served multiple purposes: a shared reference for feedback, a tool for self-assessment, and a roadmap for professional growth.
Once the skill framework existed, the final decision was to align performance reviews directly with it.
Prior to this, feedback discussions tended to be narrative and situational. Designers might receive positive or negative feedback on projects, but it was often difficult to connect that feedback to career progression. This ambiguity was problematic for both designers and leadership. Designers could not clearly see what was required for promotion, and managers lacked a structured way to justify those decisions. Another issue was the performance review framework itself: designers were asked to answer a series of questions on the goals they accomplished over the past year, their biggest success, how I assess the current year… These questions can be nice to ask, but the answers reflect vaguely the designers’ feelings - not performance or progression.
By grounding reviews in the skill matrix, feedback became more concrete. Each observation could be tied to a specific behaviour and level within the framework. After going over their readiness score and the delta between two quarters, I discuss with them the ratings where we disagree the most (>2 points of different between self and manager assessment on any given skill items). This discussion is where we can go over their projects, situations they experiences over the last quarters specifically tied to the skills being discussed. Of course, designers prepare the performance review in advance and have access to all the materials that are going to be used during the meeting.
Another possible approach would have been to evaluate designers primarily on project outcomes or delivery metrics. However, those signals capture only a portion of design performance and tend to overlook collaboration, mentoring, and craft development. It also completely erase the differences between two designers operating at the same level. For instance, 2 senior designers might not want to become manager, thus they cannot be evaluated the same way.
Matrix-based reviews created a more balanced evaluation model and ensured that development conversations remained aligned with long-term growth rather than short-term delivery.